Random Streaming MOTW Review: Haunt (2014)

"Not to be confused with Haunter."

(aka Not Haunter)

Release Date: March 7, 2014.

Country: USA

Written by: Andrew Barrer.

Directed by: Mac Carter.

Starring: Liana Liberato, Harrison Gilbertson, Jacki Weaver, Danielle Chuchran, and Ione Skye.



Every week, we sit down, surf through the Netflix and On Demands
of the world, find ourselves a random, B-Grade Horror flick that we've
never seen, and watch it. Sometimes we're surprised with how well they
turn out, and sometimes they're just as bad as we expect them to be. 



Either way, it makes for a good time. This is one of those films. 





*This is a re-post of a review that we did back in 2014, but since a few of us didn't see it before tonight, it seemed right to revisit.



When it comes to Horror movies that feature teens in peril, most of them end up falling flat. That's mainly because such movies tend to treat their teen characters like they're lovelorn morons who are all but devoid of any sort of depth or real personality.



We're not talking about the "dumb teens who party too much and get what's coming to them," because those are the kinds of teen characters that usually populate Slasher flicks or Torture Porn, and they don't really need personality. They exist only to up the body count. We're talking about the "normal" kids next door, who are always somehow crazy attractive, and exist only to be in love, or to sass their parents, or to mope around whining about how no one understands them. Those are the kinds of teen characters that should be more fleshed out, because they're meant to be more than just numbers to add to a kill count... at least in theory.



The cool thing about Haunt, is that for all of its faults, it actually manages to give us a pretty effective Haunted House flick that features teen characters that actually feel real, and end up being likable. Sure, there's still a teen love story going on here, and yes, we have to suffer through a bit of shy moping now and then, but that's alright; because real kids do those sorts of things. At least with Haunt, we get likable, smart characters doing some cliche' things, because that's just how normal people behave.

Haunt begins with a creepy prologue about the cursed Morello House, where all but one member of a family died under mysterious circumstances. The lone Morello survivor is the Mother, and she narrates the house's fateful history, and lets us know that there are ghosts and such most likely roaming around the place.



So it goes without saying that when the Asher Family moves into the old Morello house, things begin to get creepy. Shy son Evan Asher meets Sam, his cutie pie next-door neighbor, and they become fast friends; two damaged souls drawn together by... blah. Point is, that not only do they team up to uncover the mystery of what went on in the creepy house, but they somehow manage to fall in love along the way. Awww.

They are so in love.

Somehow Sam knows that there's a ghost radio in Evan's crawlspace, and she convinces him to try it out with her, so that they can "find heaven" or some such crap. They obviously don't find heaven, instead they unleash a vengeful spirit into the world.. or maybe the spirit was already there, but couldn't be proactive until someone used the ghost radio... we can't say for sure.

"Does this thing get Sirius?"

Either way, the house is full of ghosts, one of which is out for blood, the rest of which just kinda hang around and look creepy. What really went on in the Morello house? Is the Asher Family doomed to suffer the same grisly fate? What's with that ghost radio? Why do we just not trust Sam? We don't know anything about any of that, but we can say that by the time the movie ends, neither will you.

What does this even mean?

Two things keep Haunt from being a disappointing effort: its atmosphere, and the performances of its cast. 



The scares found in Haunt will definitely affect the younger folks in the audience, but we older Horror fans have seen too much to fall for a bunch of jump scares and music cues. Lucky for us, the movie does a pretty solid job of establishing a creepy and tension-filled atmosphere, which was every bit as effective (and even more so) as were its scares.



As far as the cast goes, Liana Liberato is the star here. Sure, mopey and broody Evan is the "main" character for all intents and purposes, but its not until he meets cute little Sam that the movie really gets interesting. Liana can act, she's likable, and the kid delivers here. Harrison Gilbertson (Evan) was equally as likable, and he made a good pair with Liberato.



The real treat of the movie though, was Jacki Weaver. She's devilishly creepy in this one, which may surprise fans of her Oscar Nominated performance in Silver Linings Playbook. She's no stranger to genre work though, her pedigree reaching as far back as 1975's Picnic at Hanging Rock. She was a treat in Haunt, and she definitely classed the movie up a bit. It was also nice to see Ione Skye on screen again (seems like it's been a while), even if her part was a relatively smaller one.



Haunt is not the most original movie, and in fact, it's about as run-of-the-mill as it gets as far a Haunted House flicks go, but it does manage to do some pretty engaging things within its limited trappings. We'll take overly-familiar as long as a movie is enjoyable, and for the most part, Haunt was.

Looks trustworthy to us.

***BEWARE ENDING SPOILERS***



The whole backstory element was really confusing.



So did the old woman kill her kids, or did she just off the woman that her husband was sleeping with? I have to assume that the mistress died first, then her angry ghost killed the woman's kids as revenge, but if that's the case, why would the dad cover his sons mouth and say "Don't make a sound! Don't even move!" as if he were afraid that the Mother would kill him too?



And why would they bring a dead body through their sons room while he's in bed sleeping, and take it into his crawlspace to bury it? Why not wait until no one was home?



All of this leads us to the big question: Where did the box come from? Even better, how did the Morello parents know what it was, and how to use it?

But why?!?

Jump-scares. Jarring music cues. Quick-cut & stuttered movement. Why have do Horror filmmakers still insist on using these lame gimmicks, as if they haven't been tired and ineffective for years now?



Yes, people are conditioned to become alarmed when they suddenly hear a loud noise, or when someone jumps out at them, but when you're going for mood, "loud and sudden" just does not fit. Nuance. That's all we want. We know it's not really that simple to achieve, but execute your big "scary" moments with a bit more style or something. Maybe there's no clear cut answer to the jump-scare issue, but man do they ever take us right out of a scene when done poorly.



As for the whole stuttered/broken movement thing goes though, can we please give that a rest? It was effective for a while in the early 2000's when Asian Horror became so popular, because seeing dead people/ghosts shake, shimmer, and move in quick-cut jumps was new and kind of startling. It was fun.



Years later, it's not really fun anymore. It's like jumping out at the same person, from exactly the same hiding place, every single day; at first, you got them. After a while, you still get them, but it's just not as effective, because you've gotten them before. After a while it becomes ineffective, because they know you're going to be there, and they're expecting you.



We're done ranting now, because we know that none of this will ever stop. It's just all so frustrating!

Don't look at us that way. We're picky.

Haunt has some bloodshed in it, but save for one death scene, most of it is pretty tame. There's lots of creepy imagery throughout though, so it's at least a bit bloody.

We are NOT going to make a "Hammertime" joke here. Not gonna do it.

Nope.

Never open the "spirit box" and play with it. Not ever!

Not ever!

Haunt is a decent little Haunted House flick that is big on atmosphere and character, while being a bit confusing in its mechanics, and feeling a bit rushed towards the end.



It's definitely worth a rental on VOD, just go into it knowing that it's a fairly by-the-numbers endeavour, and you'll be fine.



C+



Haunt is available now DVD and VOD.

Seems like just yesterday that we were watching Liana Liberato for the first time when she appeared on Sons of Anarchy, and now, she's all grown up. She's as beautiful as she is talented, and we expect nothing but big things from her career from this point out.

 

VOD Review: The Blackcoat's Daughter (2016)

"Maybe the best Genre movie that we've seen all year."

(aka February.)

Release Date: TBA.

Country: USA.

Rating: R.

Written by: Oz Perkins.

Directed by: Oz Perkins.

Starring: Kiernan Shipka, Emma Roberts, Lucy Boynton, James Remar, and Lauren Holly.



Every year, there's one or two Horror movies that everyone hails as being "transcendent" or "genre changing," or something to that effect. Whatever the tag-line that gets attached to them, movies like It Follows, The Babadook, Cabin in the Woods, You're Next, and We Are Still Here end up being critical darlings, and find themselves on everyone's Must See list.



So far this year, the critical darlings seem to be The Witch, Green Room, and The Invitation. All three are great flicks in their own right, and they each deliver their own brand of chills, but I'm going to throw The Blackcoat's Daughter into that mix and say that it's every bit as good as those other movies. In fact, it very well could be better.



*The Blackcoat's Daughter (February) was supposed to be released today as an exclusive on DirecTV. It's not on DirectTV, and there has been absolutely no promotion or mention of the release by A24 (its distribution company), DirecTV, or on the film's Twitter or Facebook pages, so at this point we have to assume that its release date has been moved. IMDB has it listed as coming out on Sept. 30th in the U.S., so maybe we'll see it some time this fall. We've been sitting on the review since two of us caught a screening at the CCFF back in late May (because I wanted it to coincide with it's DirecTV release), but there's no point in waiting until September to post it.

It's hard to talk about The Blackcoat's Daughter (formerly titled February), without ruining it for the uninitiated, so we're going to have to be as vague as possible here.



This is a movie about three girls, two of whom are stranded at their prep school over winter break, and one who is desperately trying to get to the school herself. One of the stranded girls, Kat, fears her parents dead, and withdraws inward to cope; while the other, Rose, is terrified that she might be pregnant, and is even more terrified oh how creepy Kat is. As for the girl who is making her way toward Bramford Prep, Joan, well she's obviously been through something traumatic, and yet she stays focused on her goal.



It's also about Satan, who appears as a shadowy bunny-like figure, intent on possessing one (or more) of the girl's souls.



I know that basically tells you nothing, but that's good. You need to see this one as uninformed as possible. In fact, don't even watch the trailer if you can help it. 

WHO WAS PHONE?

The Blackcoat's Daughter is a slow-burn Supernatural Thriller that took us to places that we didn't expect. I know that sounds generic as hell, and the term slow-burn is used far too often these days to describe slow and boring movies, but this one really had it's own quiet, eerie thing going on, and it left one hell of an impression on us.



The Blackcoat's Daughter is as much about loss as it is anything else, and the way that it handles the subject is superb. The movie twists and turns around its three main characters (who are all related in some obscure way) in quiet fashion, and brings them all together in the end in pretty shocking, and dare we say fresh, way. I'd really love to talk about that ending, and what it meant for the movie as a whole, but it would kill the entire thing, and it would be a shame for you to not experience that build-up and resolution for yourselves.



I guess it's safe to say that loss is the key word here; some of it creepy, all of it tragic.

"NO I HAVEN'T CHECKED THE CHILDREN. WHAT DOES THAT EVEN MEAN?"

It was interesting how they handled Satan in this movie too (it could have been a plain old Demon, but we got the strong sense that it was Old Scratch himself.) His presence and appearance was all very shadowy and ambiguous, as if he were more of a feeling or ideal than an actual physical being. Oh, he was there at times, but it's as if his presence was a shadow that was always draped across everything and everyone, whether you could see him or not.



This is director Oz Perkins' debut feature behind the camera, and it's about as impressive as a first movie can be. Horror is obviously in his blood (he's the son of Norman Bates himself, Anthony Perkins), and If this is the type of thing that we can expect from him as his career moves forward, which it most certainly will, then we're in for some good times.



I'm not sure who truly stole the show in this one; Kiernan Shipka or Emma Roberts. Both ladies played their tortured parts equally well, and their performances took an already great movie to the next level. Lucy Boynton was on top of her game too, even if her character wasn't quite as prevalent. Even Lauren Holly and James Remar seemed to dig deep for this one, although with James Remar being one of the best character actors ever, that's really no surprise.

THIS IS NO TIME TO BE PLAYING BLOODY MARY!

So was the school used for Satanic Rituals, or was that just a rumor started by the kids? Were the nuns Satan's Whores? Was it all in someone's head? Who was phone?!?

SHE'S COME A LONG WAY SINCE MAD MEN.

What the hell is a Blackcoat, and who in the hell was his daughter?

WAS IT HER?

It might not show up until the end, but when it gets there, the gore is solid.

IT'S ONLY A HAND WOUND. RUN!

No nudity in this one, but Emma Roberts does appear in a towel, if that's your kick.

CREEPY, NOT SEXY.

A teenager in love is a fierce creature. So is Satan.

OH, SHE KNOWS. SHE KNOWS.

The Blackcoat's Daughter isn't a perfect movie, and it's probably not going to garner as big of an audience as The Witch did earlier this year, but it's an excellent film and one of the best possession flicks that we've ever seen. Very few movies these days stay with us as long (and as powerfully) as did this one, and we can't wait to watch it again to further dissect it. 



This was a near-perfect movie-watching experience for us, and you should absoloutly check it out when you get the chance.



A



The Blackcoat's Daughter was originally scheduled to be in limited theaters and on DirecTV now, but it looks as if its release has been delayed. We'll keep you posted.

Emma Roberts is fast becoming one of our favorite Scream Queens, pun intended.